Kate Tempest is one of those rare talents
you know will never fall off the radar. She is not a manufactured act who will
crash and burn but is an individual who has nurtured and developed her craft
and from whom a lot more will come. As she told us between defiant, impassioned
delivery of the always thought provoking, sometimes funny, often hopeless lines
from her album Everybody Down, during
her performance at Village Underground in Shoreditch on Tuesday night, the work
has been “Twelve years in the making and it’s only just beginning.” She also confided that she “cannot
stop writing.” It is one thing to have ideas and to pick up a pen; it is
another to make those ideas a reality, to coerce them into life on the page, to
be fleshed out within the guise of believable characters that come alive in
your mind’s eye.
I have been taking in the album throughout
the year, since its release in May and whilst you can obviously listen to
tracks individually, it is an album that tells a compelling story, which the
listener has to invest and immerse themselves in to fully appreciate the ups
and downs and development of the adventure.
From reading articles about her, Kate
Tempest has evolved musically through an education in hip hop and dancehall,
absorbing musical cultures, social cultures and teaching herself how to rhyme
and deliver, which she fully acts out. It is true performance as she spits
forth her words, with anger, affection, love, hate. These subtly shifting tones
being led and intertwined with a sometime pulsating, bass reverberating, always
engaging club soundtrack.
In fact it is beyond performance. She is
living those words, she is feeling her story, she is wrapped up in the emotion,
caught up in the lives she portrays. As with all good live performances, the
music and lyrics take you beyond the record. A spark of the unknown always
exists, living slightly on the edge. Musically it went further. I can still
feel the bass vibrating in my throat and chest like a pneumatic drill. The
backing vocalist really added to the tracks, making a lively contribution,
which I don’t feel on the recording and the musicians were all absolutely spot
on, twisting the sounds within the confines of the story.
When the performers are so obviously
enjoying what they are doing, it lifts the crowd. One minute Tempest looks
stressed to the point of no return, the next she radiates her fantastic,
ecstatic smile, fresh faced with rosy cheeks on either side and a twinkle in
her eye. She loves being up on the stage.
The last time I read any poetry was at
school but Seeing Kate Tempest has opened me up and I bought a copy of her
latest book of poetry Hold Your Own,
which she signed after the show – I’m a sucker for things like that!! Sat down
behind a table, facing a line of punters, she was totally spent. Putting that
amount of energy into a performance must be sapping and I don’t think she was
quite all there as she signed the books but to be even doing that at all, so
soon after the show, is testament that she wants to maintain contact with
people and she was truly grateful of the support and to be where she is today.
Tempest is extremely aware and affected by what
is going on in the world around her; and her writing, although not necessarily
explicitly, is going to have a political skew as she expresses her opinion. To
have a person fearlessly putting herself out there in this way, instead of the vacuous
mass produced pop stars that are churned out as part of the money go round, is
essential in music and popular culture. Kate Tempest will always be vital
because she has something to say. Her sign off was a warning to us all, in
today’s culture of mindless consumerism and lack of community, with a message we
should all heed - “Battle your greed, cultivate your empathy.” If we could all
do this, the world would be better off.
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