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Tuesday, 21 April 2015

Head Space Daily Words...

As last weekend approached, my youngest son had already decided it was going to be “the best weekend ever.” Not only was his best mate, who has been living in Australia for the last four years, in town for a Saturday hang out and sleepover, he was also going to see Aston Villa play Liverpool on Sunday, in the F.A Cup Semi Final. These are defining moments in a young person’s life and if Christian Benteke, Villa’s star man, had already stated the semi final was going to be the biggest match of his career, you can only imagine where it registered on the scale for my two boys. It was to be my third F.A Cup Semi Final and sixth time I had seen Villa at Wembley and despite having had a very poor season, the recent change in manager and complete turn around in philosophy and performance, meant that the team and supporters travelled with a great sense of optimism and confidence. The belief felt far higher than when we lost to Chelsea at the same stage of the competition in 2010, at a time when we were actually doing quite well.

My youngest son had seen his best friend a couple of years ago, when his family was last in London. They have one of those friendships where they just fall back into it, as if they had seen each other yesterday. That is a special thing and not something that I ever experienced as a kid – or an adult for that matter. To have an almost telepathic understanding with someone is priceless.

On Saturday morning it was training for the Under 10s football team that I manage and as the three of us walked to the park I was poised to help the conversation on its way, in case things were a bit awkward between the two lads, having only just been reacquainted. As it happened, the chat flowed immediately, as they discussed whether PS3 or Xbox was the best games console and from that point there was no stopping them. I can picture them in another two years time deep in conversation about whatever it is that is ruling their worlds at that moment.

In the afternoon some friends came over, including an Arsenal fan, with whom we watched the Gunners beat Reading in extra time, to clinch a spot in the F.A Cup Final. Over dinner and a few drinks, the possibility of going to the Green Man Festival in Hay On Wye this August was discussed. I am listening to Waxahatchee, who is playing at Green Man, as I write this. I have never been to a festival before, never really fancying the lack of ablutions and the idea of ‘roughing it,’ so it is about time I did one, I guess. The line up looks good and the vibe of the festival seems to be spot on. It is not a huge 200,000 people monster like Glastonbury. Green Man looks like it could be fun. Watch this space.

Once sleepover was finished and breakfast eaten, my two boys and myself were off to Wembley. The excitement was immense and built up nicely on the journey from South East to North West London, as the Wembley Arch eventually came into view. The biggest game of their lives and what could be the only time that the three of us ever see Villa play at Wembley together. Who knows? The walk up Wembley Way was keenly photographed by my eldest son, to post later on Facebook, like a photo journal of the day’s events. Respects were paid to the imposing statue of England’s greatest player, Bobby Moore, before we entered the West Stand of ‘the home of football.’

We located our seats, close to the front of the third tier, in the corner of the stadium, then went back to the concourse to watch the Villa fans arrive, drink a pre match pint – me, not the boys – buy a flag and take in highlights of Villa’s road to Wembley on one of the screens, to put us in the mood.

When we took our seats, the atmosphere was positive, confident and loud. To hear the Villa fans in full voice is one of my favourite sounds in life. Thirty two thousand tone-deaf, mostly Brummie individuals, singing in perfect harmony. Bliss. “Yippee ay aye, Yippee ay ohhhh, Holte Enders in the sky,” went our take on the Johnny Cash track Ghost Riders In The Sky – Villa’s long time adopted anthem. You could feel the passion and the belief. There was not the tiredness or sense of inferiority that had been present at the previous Semi Final against Chelsea. Instead, after Liverpool scored first, the mood was of buoyant defiance. Five minutes later Christian Benteke equalized and I found myself standing on the row behind, kissing a bald man with a tattooed face on top of his shiny dome, whilst my eldest son was raised sky high by another man in the row behind. My youngest son meanwhile, tired from his sleepover, stood there with bewildered amazement, celebrating with disbelief at seeing Villa score at Wembley. The effect at scoring a goal, particularly in a game like this, is to celebrate with total abandonment and disengagement from self-control. In that moment, you completely lose yourself, unaware of what you are doing.

We got to do it all again early in the second half as Fabian Delph put Villa 2-1 in the lead – thirty two thousand elated voices screaming in unison, together as one in that instant. The full time whistle was a welcome cue for celebration. It had been a fantastic team performance, with outstanding individual displays and incredibly we were through to join Arsenal in the Cup Final on May 30th.

The walk back down Wembley Way, shoulder to shoulder with disappointed Liverpool supporters was restrained and respectful. Someone has to lose a semi-final and Liverpool supporters were magnanimous in defeat and wise enough to know that on this occasion Villa had been the better side. The mass of 32,000 Villans had dissolved to become individuals, in their own little groups, thinking their own personal thoughts, going their own separate ways.

It had been a memorable two days and we had witnessed the biggest game of our collective Aston Villa supporting lives, which can only be topped by getting tickets to the Final. This will prove to be a tricky task and I’m not getting my hopes up but you never know.

As I put my youngest son to bed on Sunday evening, he looked up and said, “Dad, that really was the best weekend ever...”



Head Space Daily Image...

A few pictures from Sunday's F.A Cup Semi Final at Wembley...



Pre match excitement...



Bobby Moore looks on imperiously...



Two deliriously happy young Villa boys...

Head Space Daily Tune...

Johnny Cash - Ghost Riders In The Sky


The inspiration behind Villa supporters Holte Enders In The Sky song...





Thursday, 16 April 2015

Head Space Daily Words...

Currently in freelance no-man’s land, I am looking to attach myself to a suitable creative battalion in need of a renegade pair of hands but after six weeks without work, I am starting to enter the semi-retired/unemployed/when will I work again? state of mind. Things always work out eventually though and the attitude of whatever will be will be, must prevail. Speaking of whatever will be will be, I am off to Wembley on Sunday with my two boys to see the mighty Aston Villa take on Liverpool in the F.A Cup Semi Final. It may only be the semi and not the showpiece final but a day out at Wembley is a day out at Wembley and how many times will all three of us be able to go and watch Aston Villa play at the home of Take That, Ed Sheeran, AC/DC and the NFL? It may never happen again. In any case, semi finals are often a lot better than the finals. Liverpool will be firm favourites but it is all about enjoying the day, the occasion and the atmosphere. As long as the team put in a performance to be proud of, you can’t ask for any more.

Recently, we have discovered a great way of getting away, which is to stay at a friend’s house whilst they are themselves on holiday, or in this case visiting relatives oop North. The favour will be returned of course, when the opportunity arises. The weather was good last week and we spent time on the beaches of Deal, Broadstairs, and Walmer. It is good for the soul to sit on a beach every now and then and in this case, listen to the sea rattle through the pebbles, as they get sucked back into the ocean. Or to eat fish and chips, (from Peter’s, of course,) in the ocean’s mist at Margate, or to discover ancient chalk monuments, towering out of the water, at Botany Bay, with graffiti scraped into their surface like ancient Egyptian hieroglyphics (see Head Space Daily Image.)

“How’s Annie? How’s Annie?. . . How’s Annie?” I can remember it as clearly as if it were yesterday, as a seventeen year old, watching the final episode of Twin Peaks, just before Agent Dale Cooper smashed his face into the bathroom mirror, possessed by Bob, the evil spirit of the woods and dark overlord of The Black Lodge. Recently, I finished watching the box set. Many of my memories from watching Twin Peaks the first time around, are rooted in the quirky, humorous elements – the damn fine coffee and cherry pie, the dancing dwarf - and of course the beautiful cast. Sherilyn Fenn was a massive crush. On second viewing, the show is truly sinister, full of lost souls looking for something to hang on to, set against an aura of hopelessness and underlying evil. The dwarf is a devil. The first season is incredibly sinister and unnerving and whilst it loses its way slightly in season two, that final episode is one of the most weirdly wonderful, abstract and disturbing pieces of television ever made. As Laura Palmer says backwards to Dale Cooper in the surreal depths of the Black Lodge, “I’ll see you again in twenty five years,” lets hope the new series, which is due to be shown exactly twenty five years on, actually happens.

I was writing this edition of Head Space Daily yesterday, sitting on a bench in Blythe Hill Fields, the left side of my neck slowly burning, as I looked towards Canary Wharf. With the sun to my left, high above me, a group of people at the bottom of the hill were playing a game of Boules, which was well, very French...


Now for a music update:

The mass conversion of my vinyl to MP3 is gathering pace. I have eleven compartments rammed full of records and have almost completed the upload of music from the first one. In some cases I am quite literally rediscovering records that I have not played for ten to twenty years. Yesterday it was a pleasure to reacquaint myself with the Yam Who? reworks of various artists. There is plenty to be heard in todays Head Space Daily Tune. . .


ALBUM OF THE WEEK:

An album to have caught my attention recently, is Lustmore by Lapalux, which is on Ninja Tune, who are on a roll at the moment. This to me is best played late at night, in the nether world between darkness and light, as it captures a semi conscious, slightly twisted, dream like state. Perhaps his music should be used as part of the soundtrack for the new Twin Peaks series. Lapalux meets Angelo Badalamenti, now there’s an idea.

CHARITY SHOP CORNER:

My latest charity shop vinyl discoveries – from the Kent coast – have been Marvin Gaye, I Heard It Through The Grapevine; Willie Hutch, Brothers Gonna Work It Out and a Ray Charles collection. Not bad for £2.50.

OUT AND ABOUT:

A couple of weeks ago I saw Andreya Triana at Village Underground. She has a beautiful voice and was accompanied by a string quartet on this occasion. Having seen her eight times now, I need a Triana break. You can have too much of a good thing and she is now moving in a slightly different direction. The bar just off the main room was quite rowdy, with it being the Thursday before Good Friday and the noise clashed with the performance but Andreya handled it with good humour, a laugh and a joke. I can see her having a long career and envisage seeing her at Ronnie Scott’s twenty years from now.

A fully fledged Ronnie Scott’s regular, Carleen Anderson, who sang on one of my all time favourite albums, Road To Freedom, with Young Disciples, is playing Jazz CafĂ© in May for which the tickets are in the bag. Before then, I will be seeing Sharon Van Etten, in a couple of weeks time, at Shepherd’s Bush Empire. Hearing her voice fill that space will be magical. Following those two, comes Unknown Mortal Orchestra at Islington Assembly Hall, towards the end of May, after which, it will be nada until more work arrives and more funds can be earned on which to have a life. Until then que sera, sera...



Head Space Daily Image...

Some images from the past few weeks. . .



The chalky white mounds rise out of the ocean at Botany Bay in Kent. . . 


Ancient Roman graffiti adorns the surface of Botany Bay's chalky mounds. . .


Dib, dib, dib. . .



Andreya Triana gives it some with a tambourine at Village Underground. . . 



My sons' Villa shirts dry on the line in readiness for Sunday's FA Cup Semi Final against Liverpool. . .

Head Space Daily Tune. . .

Here are three tracks that I have rediscovered on my vinyl to mp3 journey...



Only Child - Find A Way (feat Amp Fiddler, Yam Who Rework)

Soulful, tuneful, dance floor brilliance...


DJ Harvey - Give It Up

I remember loving this when it came out around 99/2000. Check that crazy synth burst...


Sugarcubes - A Leash Called Love (Todd Terry Remix)

This is the most upbeat track about an abusive relationship ever made...

Friday, 27 March 2015

Head Space Daily Words...

A drizzly grey London morning led me back to Shoreditch yesterday. I turned left out of the station and headed towards Bethnal Green Road, passing a tall, mixed race, unshaven guy, carrying a guitar case and wearing a top hat. Hendrix meets the magic circle. I crossed the road to find out what was showing at the Rich Mix cinema. My plan was to head to Hackney Picture House to see Whiplash at midday but if it was on at the Rich Mix, why not see it there? It was not being screened and as I walked towards Brick Lane, I stopped outside a vintage guitar shop, to peer through the window, to admire the instruments. The walls were adorned with some very nice looking, classic guitars, a real Aladdin’s Cave of six string, electric delight. A slightly built, bespectacled man with a wispy beard began to unlock the shop to open up for the day. He asked me if I wanted to take a look inside. I told him that I didn’t have time but that my youngest son is learning acoustic guitar at school and I asked if I could bring him along one day to have a blast on one of the shops electric guitars. “That’ll be no problem” the man replied. I warmly shook his hand, told him I would see him soon and went on my way.

My next port of call was the Brick Lane Beigel Bake – which is quite simply one of the best shops in London – to buy a dozen beigels and get some lunch to eat in the cinema. A tuna and sweetcorn beigel being my bake of choice. Brick Lane always interests me, whatever the day, although during the week it is relatively quiet and you can take your time and breathe it all in. The people, the clothes, the hair, the beards, the sounds, the boom from the blacked out Beamer, the ‘street art’ – good and bad – the buildings, old and ramshackle on the narrow streets and the sense of purpose, of moving forward and not standing still. Never standing still. A pacy stroll took me to Rough Trade East for some vinyl cleaning fluid. I had been there on Monday to pick up a copy of To Pimp A Butterfly, the new album from Kendrick Lamar and the 7” of Pedestrian At Best by Courtney Barnett, (see Head Space Daily Tune.)

A few stops to Canonbury, then two to Hackney Central and I was on my way, all the while listening to the new Matthew E White album Fresh Blood. I arrived at the Hackney Picture House with 45 minutes to spare, which gave me time to sit down and start writing what you are now reading. The 12 o clock screening of Whiplash was a designated Silver Screen showing with a discount for the over 60s, although not exclusively for the old timers. With time to kill, I didn’t want another coffee, nor to eat too much. A cup of tea and a biscuit would do the job but on offer was a pot of tea at £2.20 and a slice of cake would set me back £3.60. I commented to the girl behind the counter that at £3.60 I could have baked my own cake. She told me that she agreed one hundred per cent and would allow me to partake in the pensioners special of a mug of tea and a biscuit for £2. What a result. A steaming mug of cha and a shortbread finger kept me going until film time.


What I love about going to the cinema is turning off my phone and becoming immersed. No buzzing pocket, no e mails, texts, alerts, alarms and ring tones to distract me. Myself and a screen. I was amongst nineteen fellow viewers, which included not one pensioner. The OAPs were missing out. Whiplash was thoroughly enjoyable and I would recommend you go and see it, if you haven’t already...

Head Space Daily Image...

A few pictures for your viewing pleasure...




A face on a wall on Brick Lane...




A doorway just off Hanbury Street...





A trophy monster head in Rough Trade East...

Head Space Daily Tune...

This week has been a big one for new music: 

I first saw Andreya Triana at Ronnie Scott’s in 2010, singing with Bonobo at the lunchtime launch of their album Black Sands. She hypnotized me then and I have been a big supporter of Andreya ever since. She has become my most seen live artist. Next week at Village Underground will be my seventh time. The best occasions have been at Jazz CafĂ©, Madame JoJo’s (R.I.P) and XOYO, with a couple of dodgy sit down at tables affairs thrown in for good measure. There will be no more sitting down at tables after the release of Giants, her soon to be available second album. The production is big, with multi-layered arrangements. I read a recent review, which compared her to Nina Simone - whose voice is unique - and Paloma Faith. The point is that whilst going after the commercial success of Paloma (whose music is not for me,) Andreya’s voice is KILLER, which is what makes her such a strong live performer. As long as the music compliments her voice and not the other way around, she is on to a winner, which is the overall impression of Giants, an album that could launch her into the big time.


Andreya Triana - Everything You Never Had



The other big release that I have been getting into this week is Kendrick Lamar and his To Pimp A Butterfly album. I say getting into, because that is what you have to do. It is not a record to put on in the background, it demands that you listen, absorb, sit up and take notice. After several listens, I am getting there. Each time, more lyrics are noted, other musical refrains and voices are taken on board and sense and meaning is deepened. The album is backed by a fantastic jazz based sound track which nods to Blue Note and the great black jazz pioneers, so it is steeped in history. Legendary players like George Clinton and Ronald Isley also have cameos, along with Snoop Dogg. Kendrick Lamar has something to say about the state of black America, in how its people have been treated by the powers that be and how it has represented itself. Thought provoking...


Kendrick Lamar - How Much A Dollar Cost




As I mentioned earlier, Matthew E White was in my ears yesterday morning with his new album Fresh Blood. Good songs, soulful voice, interesting musical arrangements – excellent American rock and soul, which at certain points made me think of Steely Dan. 


Matthew E White - Vision




Another album which has been undergoing intensive listening this week is Courtney Barnett’s LP Sometimes I Sit And Think and Sometimes I Just Sit. An Australian accent has never sounded so endearing – not since Charlene in Neighbours, at least. A spiky indie poet, Courtney Barnett is funny, angry, charming, sardonic, thought provoking and melancholic across an album which is bare bones, in your face indie - guitar, bass and drums - accompanied by THAT voice.


Courtney Barnett - Elevator Operator